JANUARY 2025
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The 1980s were marked by significant societal changes, including the increased presence of women in the workforce and the rise of more inclusive, diverse fashion trends. As incomes and living standards improved, jewelry design shifted to reflect these broader social transformations. Jewelry in this era became more than just adornment—it became a symbol of empowerment and a tool for self-expression.

Empowerment Through Jewelry: As women broke through societal boundaries and entered the workforce, jewelry became a powerful medium for expressing “the voice of women.” Pieces were designed to reflect confidence, independence, and strength, moving beyond traditional notions of decoration.

Maximalism and Postmodernism: The 1980s saw a departure from the minimalist aesthetic of previous decades. Jewelry became larger, bolder, and more extravagant, embracing maximalism. This included chunky, oversized designs, such as large statement rings, earrings, and necklaces. The Postmodern era rejected traditional beauty standards and celebrated more eclectic, surreal, and sometimes whimsical combinations—featuring elements like Rococo-inspired floral patterns, bright ribbons, and Venetian masks.

Diverse Materials: Designers experimented with unconventional materials, such as plastic, synthetic gemstones, and metallic elements, making jewelry even more dramatic and dynamic. The use of these materials allowed for larger, more colorful pieces, which were often flashy and extravagant. Classic items like large hoop earrings and pearls were reinterpreted with a contemporary twist.

Pop Art Influence: The younger generation, inspired by Pop Art and modern culture, sought to reinterpret vintage styles like Art Nouveau and Art Deco. These influences were combined with bold new elements to create jewelry that was both nostalgic and modern. Designers embraced bright, striking color schemes and innovative shapes, reflecting the vibrant energy of the time.

Paloma Picasso and Iconic Designers: Paloma Picasso, daughter of Pablo Picasso, became a renowned designer in the 1980s, collaborating with Tiffany & Co. Her work, which was inspired by architecture, landscapes, and Moroccan culture, featured bold, geometric designs and vibrant colored gemstones. Her designs became iconic representations of the era’s artistic and cultural movements.


<Faye Dunaway, Butler & Wilson, 1980>

Faye Dunaway and Glamorous Jewelry: Hollywood stars like Faye Dunaway wore extravagant jewelry that reflected the bold, empowering spirit of the time. Designer brands such as Butler & Wilson created statement pieces that embodied the era’s affinity for larger-than-life fashion.

Art and Jewelry Fusion: The 1980s also saw an experimentations in blending fine art and jewelry design. Artists like Marjorie Schick explored the boundaries between sculpture and jewelry, creating experimental, artistic pieces that defied traditional conventions.

A Decade of Bold Self-Expression

The 1980s were an era of personal and artistic exploration, with jewelry at the forefront of social change. The designs of this time celebrated individuality, strength, and creativity, reflecting both the rapid cultural shifts and the influence of Pop Art, surrealism, and postmodernism. Jewelry became a bold statement, helping to express both personal style and broader social movements.

<Diamond 1.20ct & Citrine 32.00ct Earrings, Paloma Picasso, Tiffany & Co., 1980s>

<“Surface Made of Sticks,” 1980s Jewelry and Fine Art Experiment, Marjorie Schick, 1986>

*Surrealism
A literary and artistic movement that emerged in the early 20th century, aiming to break away from rationalism and naturalism. Surrealism sought to explore the world of irrational perception and the unconscious, attempting to revolutionize artistic expression by delving into dream-like, fantastical imagery and themes.

*Postmodernism
Postmodernism, or postmodernity, is a broad cultural, social, and artistic movement that emerged as a reaction against modernism. It challenges the ideals of modernism, questioning the notions of absolute truth, linear narratives, and universal values. Postmodernism embraces pluralism, irony, and relativism, often blending different styles and breaking traditional artistic and cultural boundaries.

In the 1970s, the global economic downturn and social upheaval led to a significant shift in how jewelry was perceived and created. Jewelry, once seen as a symbol of wealth, became a medium for self-expression, reflecting inner values rather than outward status. The cultural climate of the time, with its focus on anti-materialism and questioning of traditional values, encouraged a move toward “luxurious poverty” in fashion.

Key Influences and Trends:

Hippie Culture and Ethnic Styles: The bohemian, free-spirited hippie movement continued to dominate fashion, inspiring the adoption of ethnic and street styles. People sought authenticity in their clothing and accessories, which led to an interest in jewelry that reflected diverse cultural influences. Beads, feathers, and natural materials became popular, often creating a stark contrast with the polished opulence of previous decades.

“Luxurious Poverty”: This concept reflected the notion that luxury could be found in simplicity and rawness. Jewelry became more about individual expression, often with a handmade, rustic aesthetic, and was no longer purely about displaying wealth. This shift was in stark contrast to the opulent, high-society styles of earlier years.

Social and Artistic Change: Designers responded to the new cultural atmosphere by creating jewelry that reflected social consciousness and the desire for authenticity. Jewelry was now seen as an art form that critiqued wealth and status, rather than reinforcing them. Designs became more experimental and sculptural, with an emphasis on form and meaning over tradition.

Van Cleef & Arpels: Despite the changing mood, high-end jewelers like Van Cleef & Arpels continued to thrive, creating opulent pieces using rubies, emeralds, and diamonds set in gold. They drew inspiration from Eastern cultures, especially India, blending Western luxury with rich cultural motifs.

Bvlgari: The Italian jeweler Bvlgari also embraced this era’s love for bold, distinctive designs, creating luxurious yet modern pieces that featured vibrant stones in unusual combinations.

Body Jewelry and Sculptural Pieces: The late 1960s’ fascination with the body continued into the 1970s, with jewelry becoming a form of bodily adornment beyond the traditional rings and bracelets. Designers embraced the curves of the body, creating larger, more sculptural pieces that hugged and flowed with the natural lines of the wearer’s form.

Cartier and Bold Statement Pieces: Cartier’s Coral and Diamond bangle from circa 1970 is a prime example of the era’s trend for vibrant, bold, and unconventional jewelry.


<Van Cleef & Arpels, 1970>
<Cartier; Coral and Diamond bangle, CIRCA 1970>

A New Era for Jewelry Design:

The 1970s marked a transition in the world of jewelry. It became a more introspective and artistic medium, where jewelers explored the potential of jewelry as sculpture, combining beauty with meaning. The focus shifted from pure opulence to a more thoughtful, creative approach to adornment. The era’s jewelry reflected the changing social climate—emphasizing individuality, cultural awareness, and artistic expression.

<Models wearing sunglasses and vinyl necklaces from the Fall 1970 collection>

<Gilles Guy Vidal 'brutalist radio' pendant, 1977>

1960s Jewelry Design: A Revolution of Youth and Expression

The 1960s, often called the “Swinging Sixties,” marked a time of transformation in fashion and jewelry. It was a period of constantly evolving shapes, colors, and unexpected combinations. The decade was defined by a shift away from the glamorous curves of 1950s Hollywood style toward androgynous and modern pop influences.

With the death of Christian Dior in 1957, Paris lost its dominance in the fashion world, and Italy, with brands like Gucci, Pucci, and Ferragamo, began to take center stage. Meanwhile, London became the hub of youth culture and street fashion, where social revolutions were shaping style.

Key Trends in 1960s Jewelry:

  • Youthful Rebellion: Young, bold generations sought freedom of expression, and their fashion mirrored this attitude. Designers like Mary Quant and the rise of mod culture defined the era, and jewelry followed suit with fun, oversized, and often unconventional designs.
  • Pop Art and Optical Art Influence: Bright, bold colors and geometric patterns, inspired by Pop and Op Art, dominated jewelry designs. This included striking visual illusions and dynamic contrasts that played with perception, often drawing from the graphic styles of popular culture.
  • Unconventional Materials: The desire for fresh, avant-garde pieces led to the use of non-traditional materials like plastic, enamel, and metal. These were often combined with bold color palettes, creating eye-catching designs that were very different from the traditional fine jewelry of previous decades.


<Andrew Grima’s pieces
, such as the 18ct gold emerald ring and yellow gold “brick” brooch, were perfect embodiments of the modern, geometric, and bold aesthetic>


<Lea Stein, known for her playful designs, created iconic Art Deco-inspired brooches, blending past influences with contemporary twists>
  • A Shift Toward Casual Elegance: As the demand for more youthful and unique designs grew, high-end jewelry was often seen as outdated. The era saw an embrace of casual elegance, with a preference for jewelry that was more expressive and less formal.

Later 1960s Shifts:

By the late 1960s, jewelry took on a nostalgic tone, with influences from the past—like Art Nouveau curves and bright neon colors—making a comeback. Brands like Biba reinterpreted Art Deco for a modern era, blending the old and new in bold, fresh ways.

In conclusion, the 1960s represented a breakaway from traditional norms, creating a unique space for bold, artistic, and experimental jewelry designs that reflected the dynamic youth culture of the time.


<Lea Stein half Collarette Art Deco girl brooch, marked Lea Stein, Paris verso>

Post-War Fashion and Jewelry Trends

After the long years of war, women became more interested in fashion, and the fashion landscape underwent significant changes following the 1947 fashion revolution. During the war, women had to make do with limited resources, repairing and reusing clothes, but with the end of the war and the influence of popular culture, a more feminine style emerged. The emphasis was on elegance and sophistication, with fashion featuring tight tailoring made from satin and silk, accentuating the waist to create a sleek silhouette.

<Panthère by Cartier - A stunning piece featuring 511 diamonds, 72 onyx stones, and emeralds>

In this new fashion era, diamonds and gold remained the preferred choices for jewelry. The typical floral motifs, along with nature-inspired designs like leaves, reflected the influence of creative French designers. Jewelry was often decorated with colorful gemstones such as turquoise, coral, amethyst, and pearls, all enhanced by textured surfaces. These dazzling accessories paired perfectly with the soft, abstract, and natural materials that characterized Scandinavian Modernism.

Scandinavian Modernism in Jewelry

Countries like Norway, Finland, Sweden, and Denmark, with their long-standing tradition of silversmithing, became known for their extensive use of silver in jewelry. One of the most prominent silversmiths of this period was Georg Jensen, whose work exemplified the modernist trends of the time.

<Pitcher by Henning Koppel, Georg Jensen, 1952>


<Splash Necklace by Henning Koppel, Georg Jensen, 1947>

With the dawn of the atomic age, abstract designs in jewelry and textiles began to emerge, offering a fresh perspective in post-war exhibitions. Motifs inspired by the glow of stars, the forms of living organisms, and the structure of molecules became central to this innovative design movement.